F.J. Goodall is the editor of Soul Portrait. He is a Houston, TX based photographer and writer. His blog, Mocha Dad, chronicles his life as a black husband and father.
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F.J. Goodall is the editor of Soul Portrait. He is a Houston, TX based photographer and writer. His blog, Mocha Dad, chronicles his life as a black husband and father.
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Walking through my old neighborhood, I noticed one of my old friends, Vando, walking toward me.
“What’s up, man,” he said as we shook hands. A few years had passed since I had seen Vando, but his weathered face made it seem as if it was decades.
“Nothing much,” I replied. “What’s been up with you?”
“Same ole, same ole,” he said. “Just trying to survive.” I knew all about his means of survival. Petty theft, pimping, and drug trafficking kept his pockets full of cash.
Since we last saw each other, I had graduated from college, got married, had kids and moved to the burbs. Vando, on the other had lived in the same house and hung out on the same corners that we did as teenagers. As I gazed into Vando’s dark eyes, the world I worked so hard to forget became real to me again, and I began to see traces of my former self in Vando’s weary face.
Before meeting Vando, books were my escape, taking me to places that transcended the poverty, squalor, and despair that surrounded me. Through my books, I could be an astronaut, detective, or brave knight. But the life Vando introduced me to proved to be more alluring than my pristine fantasies. Our escapades were filled with excitement and danger. We mostly engaged in typical juvenile delinquent activities such as shoplifting, vandalizing, or fighting with other boys. But one day, things took a turn for the worse.
Vando and I were loitering on a corner when he noticed a girl walking by. His demeanor turned grim, his body grew tense. Suddenly, he broke a huge branch from a tree, ran to the girl and started beating her. Tears mixed with blood poured from her face as Vando pummeled her – each blow producing a sickening whap against her flesh.
Afraid Vando would kill the girl, I grabbed the branch. My insolence caused Vando to turn his wrath on me. I was frightened, but I held on refusing to allow him to beat that girl anymore.
“Let’s get outta here,” he said after several minutes. Vando released the branch and we ran to his house narrowly escaping some men who were chasing us.
Once we were safely inside, Vando told his grandmother, “If someone knocks on the door, don’t answer it.” The gentle woman nodded quietly and continued watching television as if she had experienced this situation before. Vando and I ran to his bedroom and crouched in the darkness without uttering a word. We sat for about twenty minutes before we were startled by police officers’ banging on the front door.
“Just chill out,” Vando said coolly. “Don’t say nothin’ and they’ll leave.”
After a few minutes, they did leave. When they were gone, I turned to Vando and asked, “What’s wrong with you man? Why’d you beat up that girl?”
“She lied on me. She got what she deserved.”
I wanted to tell Vando that no one deserved such brutal treatment; that he was a cold, heartless animal. However, I said nothing because I didn’t want Vando to think I was soft.
After that night I avoided Vando as much as possible. Whenever he asked me to hang out with him, I always gave him an excuse. He eventually got the message and left me alone.
With Vando, I was able to tap into the raw masculinity that boys long for. But I was misguided as many young males are. I thought that Vando was teaching me how to be a man. All he was teaching me was how to be a criminal. That’s why it is so important for fathers to be involved in their sons’ lives. As much as my mother tried to teach me how to be a man, her gender prevented her lessons from sticking. Sons need fathers.
I realize that my sons will most likely encounter Vandos in their lives. It is up to me to provide them with an authentic version of manhood so they will not be enticed by this pale imitation. I must teach them to balance their need to be rough, rugged and raw, with the ability to be caring and respectful. My example will be their sword and shield in the battle for their hearts and minds.
F.J. Goodall is the editor of Soul Portrait. He also writes the blog Mocha Dad.
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“My People” by Langston Hughes
Throughout history, black people across the Diaspora have impacted the world through our creative talents. Our literature, drama, music, and visual art have challenged paternalism, racism and heralded freedom movements from the United States to South Africa.
While we have faced hardships, our art has always been a soothing balm for troubled hearts. Negro spirituals helped us to endure slavery. The Harlem Renaissance ushered in a new era of black intellectualism. The Black Arts Movement helped us to defeat Jim Crow and gain Civil Rights. Hip-hop music voiced the struggles of inner city youths.
Our artistic expressions have redefined how the world views us. Artists such as James Van Der Zee, Chinua Achebe, Derek Walcott, Sonia Sanchez, Celia Cruz, Romare Bearden, Bob Marley and Jay-Z have redefined the cultural space by weaving black voices into the global canon.
Soul Portrait will be a platform to share our cultural experiences, celebrate our creativity, and admire our beauty. We will publish WORDS | IMAGES | MUSIC from the souls of black folk.
If you are an artists, writer, musician, or photographer who is passionate about preserving black culture, please submit your work to Soul Portrait. My goal is to showcase creative talent from around the globe.
I would also love to hear your feedback through comments on the posts or via e-mail.
I’m convinced that black art will continue to blossom in this new decade. Our creative efforts will lead to a greater social consciousness, connectedness, and a unified racial identity.
Let’s make something beautiful in 2010. Happy New Year.
Blessings,
F.J. Goodall, Editor
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